Professional/Media Contact: managermiarose@gmail.com Write to Mia! mailmiarose@gmail.com Hey! Hope you had a Merry Christmas and are enjoying a very Jolly New Year! Here's an original song! Kisses everyone! Be Happy and Smiiile! xoxo Lyrics Every word I write I'm always thinking about you Every song I sing is with you're face painted in my mind I need you to realize How much I need you in my life You keep me alive And ill always fight for you Cuz I love you And I need you Lawrence you are my guiding light To whats true thats me and you forever my heart is in your hands.... Every smile i make is so true cuz im truly happy Every day i awake I thank god for giving me you well i know sometimes Ive made mistakes Ive gone and choose the wrong way But I need to to know that ill always love and only need you

A prominent figure in the wide-open poetry movement of the 50s, Ferlinghetti gave voice to a generation that changed the face of poetry forever. Challenging the elite's definition of art and the artist's role, Ferlinghetti founded City Lights Bookstore, providing a meeting place for writers, artists, and intellectuals for over a half century. Ferlinghetti's A Coney Island of the Mind continues to be the most popular poetry book in the United States. His most recent work, Americus Book I was published by New Directions in 2004. Lunch Poems: Lawrence Ferlinghetti 2006 Lunch Poems is a monthly poetry reading held on the UC Berkeley campus. This reading features Lawrence Ferlinghetti. [events]...

Lawrence Welk does "One Toke Over The Line". Wow.

Live performance of Merry Christmas Mr. Lawrence.

Taken from The Ryuichi Sakamoto Trio World Tour 1996 ~ Complete Version DVD. Ryuichi Sakamoto [piano], Everton Nelson [violin] and Jaques Morelenbaum [cello]. Great stuff!

LT greatest pass rusher in Giant history

Movie with Tom Conti and David Bowie.

Peter O'Toole and Omar Sharif star in this multi-Oscar winning production based on the exploits of legendary British soldier T.E. Lawrence. Lawrence helps unite rival Arab tribes and then organizes them into a rebellion against the Turks during World War One. Definitely one of the greatest epic movies of all time. Alec Guiness, Jack Hawkins, Anthony Quinn, Jose Ferrer and Claude Rains also costar.

2007.9.28 YOKOHAMA BLITZ

High Order Bit

The Chantay's Pipeline, As It Was Originally Aired On The Lawrence Welk Show On May 18, 1963.

Merry Christmas, Mr Lawrence 戦場�メリークリスマス

martin lawrence

--Tribute to a great song and movie--

"Vi Ahin Zol Ich Geyn?" On album: L-053(a) (Steve Lawrence / Ramblin' Rose) Conductor Guercio, Joe Vocal Lawrence, Steve Arranger Zito, Torrie First line: Tell me, where can I go, there's no place I can see, where to go, where to go. First line (Yiddish):װוּ �ַהין ז�ָל �יך גײן? װער קען ענטפֿערן מיר, װוּ צו גײן,... Track comment: Recorded under "Where Can I Go" Language: English and Yiddish Yiddish lyrics: Vi ahin zol ikh geyn? Ver kon entfern mir? Vi ahin zol ikh geyn? Az farshlosn z'yede tir S'iz di velt groys genug Nor far mir iz eng un kleyn Vi a blik kh'muz tsurik S'iz tsushtert yede brik Vi ahin zol ikh geyn? Dort ahin vel aich gein In . . . Vi ahin zol aich gein S. Korn-Tuer (Music) O .Strock (Lyrics) Where can I go? Lyrics: 1949 Performer Leo Fuld Title Where can I go Lyrictext Wi ahin Zol ich Gein? Wer can entfern mir Wi ahin Zol ich Gein? Fur es sloss jeder tuhr Siehe auf links, siehe auf rechts Au te soll im jedem Land As wi ahin Zol ich Gein? Tell me, where can I go? There's no place I can see. Where to go, where to go? Every door is closed for me. To the left, to the right, It's the same in every land. There is nowhere to go And it's me who should know, Won't you please understand? Now I know where to go, Where my folk proudly stand. Let me go, let me go To that precious promised land. No more left no more right. Lift your head and see the light. I am proud, can't you see, For at last I am free: No more wandering for me. A memory from the internet: "There is a song -- and a question -- that haunts me from childhood: 'Vi Ahin Soll Ich Geh'n?' ('Where Can I Go?'). Some time in the 1940s (probably around 1948 when the State of Israel came into existence) Leo Fuld, the 'King of Yiddish Music', recorded the song in Yiddish and English. We frequently played the record, an old 78 rpm, at our North London home. My mother would sing it with feeling, as if its questions were hers and its answer an answer to her prayers. To the best of my (and her) recollection, the English version of the first verse was as follows: Tell me, Where can I go? There's no place I can see. Where to go, where to go? Every door is closed to me. To the left, to the right, It's the same in every land. There is nowhere to go And it's me who should know, Won't you please understand? Even without the soulful melody, these despairing words ring in my ears; when sung they go straight to the heart. As a young child, the first verse seemed to me as melancholy as Kol Nidre -- the solemn supplication that opens the evening service on Yom Kippur, the Day of Atonement -- but less obscure. Here was a person in a nightmare: lost, shut out, cut off, set apart, a voice crying in the wilderness. I was a child and I understood crying. I understood lost as well. 'Won't you please understand?' Oh, but I did, to the core. But where to go, where to go? The song itself supplies the answer, expressed in the jubilant second verse: Now I know where to go, Where my folk proudly stand. Let me go, let me go To that precious promised land. No more left no more right. Lift your head and see the light. I am proud, can't you see, For at last I am free: No more wandering for me שיעור יידיש Title: Vu Ahin Zol Ikh Geyn? (Fuld) -- װוּ �ַהין ז�ָל �יך גײן? (פֿולד) Also known as: Ou Dois-Je Aller? Author: Fuld, Leo -- פֿולד, לע�ָ Author: Miller, Sonny Composer: Strok, Oscar -- סטר�ָק, �ָסק�ַר Composer: Berland, Sigmunt Genre: Zionist/Holocaust Subject: Hope/Statehood/Home Song Comment: See "Vu Ahin Zol Ikh Geyn (Korntayer)" Also Heskes entry 3383 Origin: Neslen 16.5 Transliteration: Neslen 16.5 Translation: Neslen 16.5 Additional song notes: Liner notes on on Fuld's recording F-020(d) and Hershel Fox's recording (F-017(a), Sonny Miller and Leo Fuare credited with the text and Sigmunt Berland credited as composer. Same credits are on the Heskes sheet music entry 3383. The text is an adaptation or revamping of Korntayer's "Vu Ahin Zol Ikh Geyn". Nowithstanding the credit to Berland as composer, the melody is the same as Strok's. イディッシュ語 קובה

"Vice President Cheney and America's Response to 911" Colonel Lawrence Wilkerson, U.S. Army (ret.) Chief of Staff to the Secretary of State (2002-2005) Conversations host Harry Kreisler welcomes Colonel Lawrence Wilkerson, U.S. Army (ret.), for a discussion of the break down of the national security process in the administration of George W. Bush. Colonel Wilkerson offers an insider's view of the Cheney-Rumsfeld cabal that drove American policy in the wake of the Al Qaeda attack on 911. The Vice President's manipulation of the policy process, he argues, led to a lack of a post conflict planning for Iraq and the failure to abide by the Geneva conventions. Wilkerson also analyzes the motives of Cheney and Rumsfeld, their penchant for secrecy, and speculates on the long term costs to American democracy, power and prestige. http://globetrotter.berkeley.edu/conversations/

And What if MJ was a PIMP ??

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http://www.savetheinternet.com "Preserve what has worked in driving this economy. And what has worked is a neutral network." -- Prof. Lawrence Lessig at the Stanford FCC Hearing, April 17, 2008

Tribute on Ellen Show for Gay Student Lawrence King who was Murdered by his Classmate.

From Donald Lawrence Presents- The Tri-City Singers Finale, featuring LeJuene Thompson, Sheri Jones-Moffett & Blanche McAllister.

PUNKCAST1477 - Nov 9 2008. The sixth lecture in Evan Korth's NYU Computers and Society course featured Professor Lawrence Lessig of Stanford University. His topic, the subject of his recent book, was "Remix: Making Art and Commerce Thrive in the Hybrid Economy." The content industry has convinced industry in general that extremism in copyright regulation is good for business and economic growth. In this talk, Professor Lessig describes the creative and profitable future that culture and industry could realize, if only we gave up IP extremism. http://www.computersandsociety.net/ http://remix.lessig.org/

Martin thinking about the first time he met Gina

Music video for the second single for the album "Little Songs" St-Lawrence River